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Nevermore Magnetics

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Making available things that are not available in-the-box.

NEBULA LIBRARIES

Welcome to Nevermore Magnetics! Nice to meet you: my name is Graham, and I am the person behind these products. I have started working with Nebula in its early stages, when the atmosphere was exciting and all felt possible. In the years, Nebula went through many changes, but its community remained true at its core.

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I have always developed my libraries out of my own passion but in recent years, they became popular in some film and music studios, and word spread out. I was asked to work on more libraries, and I decided to release some of my best creations, through this web site.

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All revenues from sales are used to fund the development of new libraries, exclusively. This will cover the cost of renting equipment or studio rooms for the capture sessions, any travel costs and the time required to test and build the final product. My libraries are not sponsored, I am completely independent and survive as a developer solely on the support of my users and community.

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After a rough patch with my family over the course of the last two years, I plan to use the Summer of 2024 to work on new libraries. New stuff is coming, thank you everyone for your support and motivation over these two, difficult years!

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N4.5 is recommended for the best compatibility with these libraries. While they also work with Nebula3 and N4, some advanced functionalities might not work correctly in these older versions. These libraries do not work with N4 Player or with non-commercial versions of the software.

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AD CONVERTER PARADOX

Anvil re-creates the elusive and legendary 'sound' (which you'll agree with me is quite a stretch) of a famous AD unit with its 'golden' looks.

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Capturing this was not easy in Nebula, and it was split in three programs.

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Analog Saturation recreates the behavior of the unit when the feature is switched on, in the real hardware. It creates a soft clipping behavior in the signal that inherently introduces some added harmonic content. The result is a subtler, richer, more 'analog' (in fact) tone, within the context of a very clean and transparent converter.

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Digital Bloom is another feature that the hardware has. I called it 'bloom' because that is what it feels like, to me. It makes the signal bloom a little, just enough to feel more enticing and exciting to listen to, it makes it more real, more musical.

Converter Dynamics emulates two important time-based factors: the dynamic curve of the soft clipping (when activated through its 'Analog Saturation' switch, on the hardware) and the hard clipping of the converter when reaching full-scale resolution.

 

Clipping this converter has been a 'secret' for many years, in my records, because it does not sound as bad as one could think, but it actually adds a special edge and heft to the sound that is very hard to achieve on other devices.

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THE-D

STEREO LED OPTO COMPRESSOR

THE-D is based on a stereo opto compressor (some call it "Edward"), made famous as it was used for one of the busses by an engineer named Michael, who mixed a lot of famous records. In his multi-buss system, the fourth bus "D" employed this compressor.

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This compressor is quite rare and not known by many. When I found it in a studio in Berlin, I asked its owner if he would be interested in making a plug-in out of it. He allowed me to capture it and THE-D was born.

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EFFORTLESS MIX TRANSLATION

Quantam is based on a famous ADDA converter made by a Wisconsin-based company, led by one of the best engineers in the audio industry, today.

It features three modules: Electrode, Arc, and Tape.

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Quantam is supposed to be subtle and oftentimes even barely audible, but you can certainly feel its effect. It makes the music feel more effortless, easier to listen to, organic, and sometimes often 'expensive' in its flow.

NEBULA LIBRARIES

N4.5 is recommended for the best compatibility with our libraries. While they also work with Nebula3 and N4, some advanced functionalities might not work correctly in these older versions. Our libraries do not work with N4 Player or with non-commercial versions of the software.

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TAPE CALIBRATION AND BIAS

M-Phasis represents the end of a long-term projects (stalled by recent global events) in which I wanted to capture the bias and calibration circuits of my beloved "80" Swiss tape machine (which followed me over 2 moves), into a plug-in. The idea behind it is to have a clean, non-colored device that adds the exact calibration curves for the recording and playback heads, separately. In the recording head, the bias and HF dials are reproduced, and in the playback head, the re-balancing of LF and HF is available, as done on the real tape deck, in the original dials.

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One can use M-Phasis by itself or in conjunction with the many tape plug-ins available on the market. More often than not, a specific tape machine (especially Nebula programs) and its emulation sound fantastic but they are not exactly calibrated to our mix. Using M-Phasis allows the user to calibrate any tape plug-in, via 1:1 realistic, matched curves from a real Studer A80 machine. The capture was done at the circuit level, to focus on the specific calibration circuit and not on the whole device. This allows M-Phasis to be used with virtually any tape plug-in.

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MINDSCAPE

SPECIAL PSYCHOACOUSTIC FX

Mindscape features a combination of effects, divided into three modules: Bass, Depth, and Detail. Each module captures specific digital hardware devices (sometimes used together, in series) used by one of my favorite composers for soundtracks in video games and TV series that I had the pleasure to meet and learn from, in Berlin.

 

He has been using these combinations of hardware units in his latest work and I liked how they worked on any audio material. He eventually accepted my proposal of turning them into plug-ins in exchange for being able to use them himself. After some months of work and booked sessions, Mindscape was born.

FAQ

I installed one of your libraries but the setups do not work. How can I fix this?

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It is possible that the setup files you dragged to your NebulaRepository are not interpreted correctly. This has happened since N4.5 was released and with the new Mac Silicon versions.

This guide will help you create all the setups you need, on your own. The end result will be 100% identical to what we provided you with, in the ZIP file. In some cases, creating your own setups allows you to customize them to your needs, so this guide is a good procedure to be familiar with if you are serious about Nebula.

You can use this guide to either edit or create new setups. Please remember that this guide is only going to work if your paths are correct, in the global settings of your N4 installation. You can double-check those by clicking on the Settings button in any N4 instance.

If you follow this guide carefully (take your time) you will be able to create any setup for any of our libraries.

 

  1. Open Nebula in a DAW of your choice (any DAW)
     

  2. When N4 is ready (and shows its Init default program), open the Finder and Setup windows, by clicking first on Finder, then on Setups
     

  3. In the Setups window, click on the first button of the top bar (resembling a + symbol in a rectangle). The "Setup Editor [New setup]" window will open
     

  4. Fill the window with:

    Name = The name of your setup. This will be the name of the plug-in that your DAW will show and use. It is recommended to enter the library name, the program type, and the sample rate, for example, Anvil Dynamics 96.
    Anvil = Library name
    Dynamics = Program type
    96 = 96 kHz sample rate

    This is usually a suitable method
     

  5. Magic ID: Enter a unit 4-digit alphanumeric code that will be the ID. You can enter any code but it must be unique, you cannot have two setups with the same Magic ID.

    Description (optional) = A brief description of the program, e.g.: nVm Anvil Dynamics 96 kHz
    Default skin = select the appropriate skin for the setup you are creating. In this example, ANVIL_DYNAMICS.N2S would be the correct skin, since we are trying to create a setup for "Anvil Dynamics". Our libraries usually have a pretty simple naming system and you should have no problem finding the right skin
    Formats = You can leave this blank or check which plug-in format you want to generate
     

  6. In your Finder window (which opened in step 2 of this guide) search for the program you want to associate with your setup. In this case, we need to load Anvil Dynamics so we'll go look for the category NVM (all our libraries share this common category of three letters "NVM") and then "Anvil Dynamics 96" since we are trying to create a setup for the 96 kHz version. This will obviously change if you want to create a different sample rate (e.g. 88.2 kHz etc.)

    Drag the program from your Finder window into the big, empty field of the Setup Editor [New setup]" window. This will add the program to the setup.
     

  7. After selecting the program you just dragged, with one left click, click on the "D" button located in the bottom-left of the "Setup Editor" window. This will add a letter "D" to the program you just added, meaning it will be the 'default' (d for 'default') program to be loaded upon setup start.
     

  8. Open the 'Local Tweaks' pane on the right and click on the "+" symbol. Add the following:
    NAME: scanboot
    VALUE: 0


    then click "OK".
     

  9. Do the same to add the following tweaks, as well. They will make your setup safer to use and more responsive in the interface.
    NAME: fastboot
    VALUE: 0

    NAME: guirate
    VALUE: 7000

    NAME: ledspeed
    VALUE: 50

     

  10. As an additional precaution, you can add the following local tweak:
    NAME: forceinitrate
    VALUE: 96000*


    *This value has to be the number, in Hertz, of the sample rate of the program you are loading. In our example (a 96 kHz program, as in Anvil Dynamics 96) the value should be 96000. Other accepted values are 88200, 48000, and 44100. This depends on the sample rate of the program. When in doubt, do not add this local tweak.

     

  11. If you are having trouble with the meters, you can add:
    NAME: heuristicoptimizationtype
    VALUE: 0


    As it's proven to help with some metering. Again, when in doubt, do not add it.

     

  12. If you need your setup/plug-in to have a lower latency (at the expense of added CPU resources), you can also use this local tweak:
    NAME: dspbuffer
    VALUE: 1024*


    *1024 is the default in N4. You can increase the CPU load and reduce the setup latency by using 512, 256, or even 128. Remember that the CPU load will be higher with lower values. In turn, if you really want to use fewer resources at the expense of higher latency (make sure your DAW can handle it!), you can enter 2048, 4096, or even 8192. Usually, the default of 1024 is all you need but there are cases in which you might want to go 512 or even 256.

     

  13. If you want your setup to be zero latency while using a lot more CPU resources, use:
    NAME: zerolatency
    VALUE: 1

     

  14. When done, click SAVE and the setup will be created. If you did not specify a format in the "Formats" field, you can right-click on the setup you just created, in the Setups window, and use "Rebuild XXX setups". This way you can rebuild VST2, VST3, AU, or AAX setups even if you did not specify any format.
     

  15. Now you can reboot your DAW, which will scan your new setup. This new setup is treated precisely as a stand-alone plug-in, and you will find it in the plug-ins list.

     

  16. You can now instantiate that setup by looking for (in our example) "Anvil Dynamics 96". This will open the setup you just created, with the program you selected.

    If everything is fine, you should be now able to use the setup in your system.

Contact me

If you need to reach me, feel free to use the form.

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